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Titre : The Dark

The Dark

Snicket, Lemony 


Illustrated by Jon Klassen.
HarperCollins,©2013.40 p.
Première parution 2013.

CONST 52057, Jeunesse

ISBN
 
 
Édition papier : 9781443417945
Format ePub : 9781443417969
PréscolairePrimaireSecondaire
4ans
5ans
1re
2e
3e
4e
5e
6e
1re
2e
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5e


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Indices

CONST FLS ILSS-P ILSS-S CL

 

Lecture dans toutes les disciplines

P1P2

 

Pistes d'exploration

Discuss being afraid of the dark. What do/did you do to overcome your fears?

Write advice to someone who is afraid of the dark. Offer suggestions regarding how they might overcome their fears.

Make a list of what we need the dark for (star-gazing, developing film, sleeping, glow-in-the-dark pictures, observing nocturnal animals, etc.).

In alternating parts (Reader’s Theatre style), read the story with a partner. Use lots of expression in your voice.

Predict what the story will be about based on the cover and title.

List the places where the dark is found in the story.

Discuss: Were you afraid of the dark when you were younger? What helped you control your fears? How can you overcome them?

Write a list of suggestions to help a younger child stop being afraid of the dark. What is your best advice?

In alternating parts (Reader’s Theatre style), read the story with a partner. Use lots of expression in your voice.

Smoky Night, In the Tree House, Black Dog, A Dark, Dark Tale, TheBlack Rabbit, TheMan With the Violin, Blackout

Mots-clés

Picture book , courage , fear , fear of the dark , night , overcoming fears , suspense

Commentaire descriptif

Bravery in the face of fear is the message so viscerally brought to young readers in this dramatic and poetic book. When a child’s nightlight burns out, the dark speaks to him. Slowly, inexorably, little Laszlo is urged down to the basement. Atmospheric language sets the mood: “The dark lived in the same house as Laszlo, a big place with a creaky roof, smooth, cold windows, and several sets of stairs.” In daytime the dark is manageable, hiding in a closet or behind the shower curtain. Mostly it stays in the basement. The story builds suspense with quiet mastery: “At night, of course, the dark went out and spread itself against the windows and doors of Laszlo’s house.” Sombre illustrations in strong, straight lines and subtle layers of colour wash increase the tension. The sole figure of Laszlo negotiates a house bereft of any sign of family, pets and the soft, comforting furnishings we associate with home. With the exception of his tiny bed, Laszlo’s house is all bare floorboards and long shadows. Brave Laszlo transforms his relationship with the dark, and the dark directs him to a new bulb for his nightlight. As the book says: “Without a creaky roof, the rain would fall on your bed, and without a smooth cold window, you could never see outside.”


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